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  "I reprimand myself for every moment of my youth that I wasted not telling the truth."

  Armistead Maupin
  Vital Stats: Born in Washington, D.C., in 1944. Graduates from University of North Carolina and serves as Naval officer in Vietnam. Moves to San Francisco to work as reporter in 1971. Begins writing "Tales in the City" series for "San Francisco Chronicle."

Selected Works: Tales of the City, 1978; Further Tales of the City, 1980; More Tales of the City, 1982; Babycakes, 1984; Significant Others, 1987; Sure of You, 1989; Maybe the Moon, 1992; The Night Listener, 2000.

Achievements: Wins Peabody Award for television adaptation of Tales of the City, Lifetime Achievement Award from the Gay and Lesbian Alliance Against Defamation.

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 Clip from the interview with Armistead Maupin
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 Short reading by Armistead Maupin
 
Official site for "Tales of the City"
 


Armistead Maupin

Straight From the Heart


With his Tales of the City series, author Armistead Maupin introduced a cast of eccentric characters who challenged the definition of "normal" and won the hearts of readers around the world.

Armistead Maupin admits that most of his main characters are pieces of his own personality. That's an extraordinary thought to anyone familiar with the colorful and very eccentric characters he has managed to bring to life in his hugely popular Tales of the City series of novels. "I simply looked into another corner of my own heart to find them, and some I’ve borrowed from friends," says Maupin. Two of the main characters, the naive newcomer, Mary Ann Singleton, and Michael Tolliver, the hopeful gay romantic, are clearly at the heart of both the author and his stories.

Armistead Maupin was born in Washington, D.C., in 1944. He graduated from the University of North Carolina and served as a Naval officer in Vietnam before working as a reporter for a newspaper in South Carolina. In 1971 he moved to San Francisco to take up a position as a reporter with the Associated Press.

Maupin found plenty of inspiration in his new city, and two years after settling there he started to write the "Tales of the City" as a serialized novel for the "San Francisco Chronicle" newspaper. The series chronicled the lives and loves of the colorful clan that resided at the fictitious 28 Barbary Lane and grew into a global sensation when Maupin released his tales as novels. Nearly three decades later there are over four million books in circulation worldwide. The six books have been translated into 12 different languages, and several have become television miniseries.

"A Letter to Mama"

It was shortly after his move to San Francisco that Maupin went public about his homosexuality. "San Francisco is the place where I found my own soul," he says. "I reprimand myself for every moment of my youth that I wasted not telling the truth, not loving who I wanted to love, and being who I wanted to be because that turned out to be the most attractive thing I could do and my success grew out of my ability to do that."

Maupin became the first of a new breed of openly gay authors, and homosexuality has remained a central theme of most of his books. "When I came out of the closet I nailed the closet shut," he says, quoting the words of the gay character Michael Tolliver from Tales of the City. Maupin also used Michael to come out to his own parents. In "A Letter to Mama," the fictional Michael wrote home of his struggle to come to terms with his sexuality and asked his parents to accept him for what he was. "When I wrote it, it took me less time than anything else I had ever written," says Maupin, "because I had been composing it in my head for about 15 years." "A Letter to Mama," Maupin’s most widely published work, has even been set to music.

The storyteller

Already at an early age, the young Armistead had a deep desire to be a storyteller. "I was the little nerdy kid who would make other kids sit down around the campsite and listen to my stories," he says. He continues to be at ease with certain aspects of the art -- and he's as much at home on the stage as he is on the page. "I write to be read aloud," he says, "so I think of the 'concert version' as the ultimate form of my work. At any rate, I enjoy it the most."

His readings are unconventional and often include a free-form "conversation" with the audience that draws heavily on his life and work. "I feel no relationship with the stuffy side of literature," says Maupin, "I work very hard to make my art entertaining and my entertainment artful."

 

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